Bruno Schulz i informe. Intermedialna nieaktualność
نویسندگان
چکیده
The starting point of this paper was a research presentation at an academic conference about Schulz’s “antimodern modernism,” organized by Marek Tomaszewski, Małgorzata Smorąg-Goldberg, and Paweł Rodak in Paris on June 9th, 2017. At the crossroads literature art history, author aims showing how formlessness, as defined 1929 Georges Bataille, haunts Bruno Schulz’ fiction (in Polish “bezkształtność” or “bezformie”). His literary works have already been associated with various trends Central European modernism, but it should also be linked to early development Informal Arts area, before revolutionized post-war painting. Given taste for old printed books, nature his own drawings engravings cliché-verre glass print technique), survey all traces idea formlessness leads conclusion that there is anachronism between texts images. Such gap universal form dissolution its static graphic counterpart remains interpreted: can both look back nostalgic pre-war realities anticipate artistic, if not philosophical, tendencies?
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E is a theorem prover for full first-order logic with equality. It reduces first-order problems to clause normal form and employs a saturation algorithm based on the equational superposition calculus. E is built on shared terms with cached rewriting, and employs several innovations for efficient clause indexing. Major strengths of the system are automatic problem analysis and highly flexible se...
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ژورنال
عنوان ژورنال: Schulz Forum
سال: 2023
ISSN: ['2450-1778', '2300-5823']
DOI: https://doi.org/10.26881/sf.2021.17-18.01